![]() “You’re looking at each other, you’re seeing each other. “You’re working so well together,” the record producer George Martin remarks to Mr. There, they jam, joke and loosen up as the numbers they’ve been working on get tighter. Harrison’s return to the band, the four gather in the cramped basement of Apple Records, having agreed to at least temporarily shelve the TV special idea. A Change of Scenery - and Goal - Can HelpĪfter Mr. McCartney, tired of being the uptight taskmaster, briefly relaxes and sees the song start to take shape through a jam. Lennon becomes a blunt cheerleader: “I’d say improvise it, man.” McCartney as they struggle through early tries of “Two of Us.” Mr. “You’ve got to carry on until you get there,” Mr. Lennon bristle - not only over the shifting power dynamic but also because it disrupts that duo’s evolving free-form way of working. ![]() McCartney comes in hard with the ambitious show goal and tries to step up as the band’s de facto leader, Mr. As John Lennon later puts it, “All we’ve got is us.” Mix Structure With Improvisation ![]() Among the multiple cases in point: “I’ve Got a Feeling,” perhaps the last true Lennon-McCartney composition. The longtime friends and bandmates are barely talking, but they’re playing and singing and riffing off one another’s ideas. Harrison’s departure, the Beatles huddle in the corner as if they’re back on the tiny stage of the Cavern Club in Liverpool, where they played together before hitting it big. When the Going Gets Tough, Come TogetherĮven while bickering in the cavernous Twickenham movie studio before Mr. None of these ideas stick, but the freewheeling, anything-goes thinking plants the seeds for the epic rooftop performance to come. Brainstorming possible venues for the concert, they consider a children’s hospital, a cruise ship, an amphitheater in Tripoli. More than a half-century after the Beatles’ breakup in 1970, the director Peter Jackson has stitched pieces of dozens of hours of previously unseen footage into a profound, multidimensional creative statement of its own.īut thinking big and expansively opens up new creative possibilities. We know how the story ends: They put on a show so brilliant that some of the live cuts ended up on “Let It Be,” the final original album they released. “The best bit of us - always has been and always will be - is when we’re backs-against-the-wall and we’ve been rehearsing, rehearsing, rehearsing,” he declares as the band debates whether to make the epic climb up to the roof of Apple Records’ London headquarters to play a concert. McCartney is also the Beatle most visibly invigorated by a daunting challenge. ![]() McCartney is clearly more frustrated at the creative and interpersonal roadblocks to the group’s progress than any of his bandmates are.īut Mr. At various points in “The Beatles: Get Back,” the three-part, nearly-eight-hour documentary chronicling the 1969 sessions that would lead to the band’s final public performance, Mr. ![]()
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